African-American Shakespeare Company

Organization Overview

African-American Shakespeare Company is located in San Francisco, CA. The organization was established in 1997. According to its NTEE Classification (A65) the organization is classified as: Theater, under the broad grouping of Arts, Culture & Humanities and related organizations. As of 06/2020, African-American Shakespeare Company employed 8 individuals. This organization is an independent organization and not affiliated with a larger national or regional group of organizations. African-American Shakespeare Company is a 501(c)(3) and as such, is described as a "Charitable or Religous organization or a private foundation" by the IRS.

For the year ending 06/2021, African-American Shakespeare Company generated $558.1k in total revenue. This represents relatively stable growth, over the past 5 years the organization has increased revenue by an average of 3.6% each year. All expenses for the organization totaled $293.4k during the year ending 06/2021. You can explore the organizations financials more deeply in the financial statements section below.

Mission & Program ActivityExcerpts From the 990 Filing

TAX YEAR

2021

Describe the Organization's Mission:

Part 3 - Line 1

OPEN THE REALM OF CLASSIC THEATRE TO A DIVERSE AUDIENCE; AND PROVIDE AN OPPORTUNITY AND PLACE FOR ACTORS OF COLOR TO HONE THEIR SKILLS AND TALENT IN MASTERING SOME OF THE WORLD'S GREATEST CLASSICAL ROLES. WE DO THIS BY PRODUCING WORK FROM THE CANNON OF CLASSICAL THEATRE INCLUDING SHAKESPEARE AND GREAT AMERICAN AND WORLD PLAYWRIGHTS THAT IS LIVERLY, ENTERTAINING AND RELEVANT. RE-INTERPRETING TIME-FAVORED CLASSICS IN A STYLE THAT SPEAKS TO AND EMBRACES AN AFRICAN-AMERICAN CULTURAL AESTHETIC AND IDENTITY. OFFERING TRAINING TO DEVELOPING ACTORS TO HELP THEM IN THEIR MASTERY OF THE LANGUAGE AND STYLE OF THE CLASSICS

Describe the Organization's Program Activity:

Part 3 - Line 4a

THE PERFORMANCES FOR THE 2020 SHORT TAX YEAR WERE LIMITED DUE TO COVID-19. THE TRIAL OF ONE SHORT-SIGHTED BLACK WOMAN VS. MAMMY LOUISE AND SAFREETA MAE: THIS SATIRICAL PLAY BY KARANI MARCIA LESLIE JOHNSON IS SET UP AS A MOCK TRIAL OF BLACK FEMALE IDENTITY SPECIFICALLY THE JOVIAL, ASEXUAL AND SERVILE "MAMMY," ALONG WITH THE HYPER-SEXUALIZED JEZEBEL-LIKE "SAFREETA MAE" STEREOTYPES, WHICH THE MAIN CHARACTER CHARGES, ARE ACTUALLY BASED ON TELEVISION, ADVERTISING AND THE MOVIES, NOT REALITY. THE PLAY'S EMPOWERING VISION OF BLACK WOMEN EXAMINING AND CONNECTING TO THEIR ROOTS DREW MORE THAN 700 SHOWGOERS ACROSS 6 PERFORMANCE DATES.


SEASON 2020 ONLINE PROGRAMMING: IN THE WAKE OF THE COVID-19 PANDEMIC, AASC WAS FORCED TO HALT OUR LIVE PRODUCTIONS INDEFINITELY AND SEEK OTHER WAYS OF ENGAGING OUR AUDIENCE THROUGH THE REMAINDER OF OUR SEASON. AFTER IT WAS CLEAR THAT THE PANDEMIC MAY SIGNIFICANTLY IMPACT THE NEXT SEASON AS WELL, AN ONLINE PROGRAMMING SERIES WAS CREATED THAT WOULD CONTAIN INTERVIEWS, RECORDED PERFORMANCES, AND A NEW SOCIAL MEDIA CAMPAIGN. IN THE FIRST FEW MONTHS, WE GARNERED LIMITED ENGAGEMENT OF A FEW HUNDRED PATRONS AS WE WORKED TO BUILD OUR CONTENT AND RECONNECT WITH AUDIENCES.


ART EDUCATION PROGRAM


THE PERFORMANCES FOR THE 2020 SHORT TAX YEAR WERE LIMITED DUE TO COVID-19. THE TRIAL OF ONE SHORT-SIGHTED BLACK WOMAN VS. MAMMY LOUISE AND SAFREETA MAE: THIS SATIRICAL PLAY BY KARANI MARCIA LESLIE JOHNSON IS SET UP AS A MOCK TRIAL OF BLACK FEMALE IDENTITY SPECIFICALLY THE JOVIAL, ASEXUAL AND SERVILE "MAMMY," ALONG WITH THE HYPER-SEXUALIZED JEZEBEL-LIKE "SAFREETA MAE" STEREOTYPES, WHICH THE MAIN CHARACTER CHARGES, ARE ACTUALLY BASED ON TELEVISION, ADVERTISING AND THE MOVIES, NOT REALITY. THE PLAY'S EMPOWERING VISION OF BLACK WOMEN EXAMINING AND CONNECTING TO THEIR ROOTS DREW MORE THAN 700 SHOWGOERS ACROSS 6 PERFORMANCE DATES.


SEASON 2020 ONLINE PROGRAMMING: IN THE WAKE OF THE COVID-19 PANDEMIC, AASC WAS FORCED TO HALT OUR LIVE PRODUCTIONS INDEFINITELY AND SEEK OTHER WAYS OF ENGAGING OUR AUDIENCE THROUGH THE REMAINDER OF OUR SEASON. AFTER IT WAS CLEAR THAT THE PANDEMIC MAY SIGNIFICANTLY IMPACT THE NEXT SEASON AS WELL, AN ONLINE PROGRAMMING SERIES WAS CREATED THAT WOULD CONTAIN INTERVIEWS, RECORDED PERFORMANCES, AND A NEW SOCIAL MEDIA CAMPAIGN. IN THE FIRST FEW MONTHS, WE GARNERED LIMITED ENGAGEMENT OF A FEW HUNDRED PATRONS AS WE WORKED TO BUILD OUR CONTENT AND RECONNECT WITH AUDIENCES.


ART EDUCATION PROGRAM


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Board, Officers & Key Employees

Name (title)Compensation
Nineka Uzoh
Vice President
$0
Wayne Metcalf
President
$0
Lynette Lockett
Treasurer
$0
Maurice Brewster
Board Member
$0
Alexander Jones
Board Member
$0
Courtney Brooks
Board Member
$0

Financial Statements

Statement of Revenue
Federated campaigns$0
Membership dues$0
Fundraising events$0
Related organizations$0
Government grants $193,640
All other contributions, gifts, grants, and similar amounts not included above$345,250
Noncash contributions included in lines 1a–1f $0
Total Revenue from Contributions, Gifts, Grants & Similar$538,890
Total Program Service Revenue$19,199
Investment income $0
Tax Exempt Bond Proceeds $0
Royalties $0
Net Rental Income $0
Net Gain/Loss on Asset Sales $0
Net Income from Fundraising Events $0
Net Income from Gaming Activities $0
Net Income from Sales of Inventory $0
Miscellaneous Revenue$0
Total Revenue $558,089

Grants Recieved

Over the last fiscal year, we have identified 5 grants that African-American Shakespeare Company has recieved totaling $71,027.

Awarding OrganizationAmount
Arts Midwest

Minneapolis, MN

PURPOSE: Shakepeare in American Communities: Schools

$25,000
Shubert Foundation Inc

New York, NY

PURPOSE: GENERAL OPERATING

$20,000
Phyllis C Wattis Foundation

San Francisco, CA

PURPOSE: WARHOL AND BASQUIAT: THE SLAVE WHO LOVED CAVIAR

$20,000
The Rhe Charitable Foundation

Novato, CA

PURPOSE: EDGY ARTS THEATER PRODUCING WORKS W COLOR

$6,000
Amazonsmile Foundation

Seattle, WA

PURPOSE: GENERAL SUPPORT

$27
View Grant Recipient Profile

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