Grand Rapids Art Museum is located in Grand Rapids, MI. The organization was established in 1944. According to its NTEE Classification (A51) the organization is classified as: Art Museums, under the broad grouping of Arts, Culture & Humanities and related organizations. As of 09/2023, Grand Rapids Art Museum employed 80 individuals. This organization is an independent organization and not affiliated with a larger national or regional group of organizations. Grand Rapids Art Museum is a 501(c)(3) and as such, is described as a "Charitable or Religous organization or a private foundation" by the IRS.
For the year ending 09/2023, Grand Rapids Art Museum generated $4.8m in total revenue. The organization has seen a slow decline revenue. Over the past 8 years, revenues have fallen by an average of (0.3%) each year. All expenses for the organization totaled $7.9m during the year ending 09/2023. You can explore the organizations financials more deeply in the financial statements section below.
Form
990
Mission & Program ActivityExcerpts From the 990 Filing
TAX YEAR
2023
Describe the Organization's Mission:
Part 3 - Line 1
CONNECTING PEOPLE THROUGH ART, CREATIVITY, AND DESIGN.
Describe the Organization's Program Activity:
Part 3 - Line 4a
THE JIM HENSON EXHIBITION: IMAGINATION UNLIMITEDORGANIZED BY THE MUSEUM OF THE MOVING IMAGE, THE EXHIBITION REVEALED HOW HENSON AND HIS TEAM OF DESIGNERS, WRITERS, TECHNICIANS, AND PERFORMERS BROUGHT TO LIFE THE ENDURINGLY POPULAR WORLDS OF THE MUPPET SHOW, THE MUPPET MOVIES, SESAME STREET, FRAGGLE ROCK, THE DARK CRYSTAL, LABYRINTH, AND MUCH MORE. IT ALSO INCLUDED MATERIAL FROM HENSON'S EXPERIMENTAL FILM PROJECTS AND HIS EARLY WORK, WHICH HIGHLIGHTED HIS RELENTLESS CREATIVITY AS A PERFORMER, FILMMAKER, AND TECHNICAL INNOVATOR.IMAGINATION UNLIMITED FEATURED A WIDE RANGE OF OVER 170 HISTORICAL OBJECTS RELATED TO HENSON'S UNPARALLELED CAREER. ON VIEW WERE ICONIC PUPPETS, HISTORIC COSTUMES, CHARACTER SKETCHES, STORYBOARDS, PHOTOGRAPHS, ANNOTATED SCRIPTS, FILM AND TELEVISION CLIPS, AND BEHIND-THE-SCENES FOOTAGE. INTERACTIVE GALLERY EXPERIENCES ENCOURAGED VISITORS TO TRY THEIR HAND AT PUPPETEERING ON CAMERA, AND DESIGN AN ORIGINAL PUPPET CHARACTER ON SCREEN.THE EXHIBITION SERVED AS A PLATFORM FOR INTERGENERATIONAL LEARNING, AS HENSON'S COMPREHENSIVE BODY OF WORK HAS IMPACTED INTERNATIONAL, MULTI-GENERATIONAL AUDIENCES. GRAM USED THE EXHIBITION AS A FOUNDATION FOR UNIQUE COMMUNITY PARTNERSHIPS, COLLABORATIONS, AND PROGRAMMING TO ENGAGE AND INSPIRE PEOPLE OF ALL AGESFROM STUDENTS AND TEACHERS TO CHILDREN, ADULTS, AND FAMILIES.
OTHER EXPENSES RELATED TO THE CARE AND CONSERVATION OF THE PERMANENT COLLECTION AND THE EXHIBITIONS SHOWN DURING THIS YEAR AND EXPENSES RELATED TO PREPARATION OF EXHIBITIONS SCHEDULED FOR THE FISCAL YEAR. THIS INCLUDES CURATORIAL, CATALOGING AND RESEARCH, AS WELL AS THE PURCHASE OF ART FOR THE PERMANENT COLLECTION.
PRESENCE: THE PHOTOGRAPHY COLLECTION OF JUDY GLICKMAN LAUDERTHIS EXHIBIT FEATURED 145 PHOTOGRAPHS BY 70ARTISTSFROM THE COLLECTION OF PHOTOGRAPHER AND HUMANITARIAN JUDY GLICKMAN LAUDER. PRESENCE CREATED A DIALOGUE BETWEEN SOME OF THE MOST BELOVED AND INFLUENTIAL PHOTOGRAPHERS OF THE 20TH CENTURY, INCLUDING BERENICE ABBOTT, DIANE ARBUS, RICHARD AVEDON, MARGARET BOURKE-WHITE, DANNY LYON, SALLY MANN, GORDON PARKS, AND JAMES VAN DER ZEE. THE EXHIBITION ALSO INCLUDED PHOTOGRAPHS BY CRITICAL CONTRIBUTORS TO THE MEDIUM'S HISTORY, SUCH AS IRVING BENNETT ELLIS, GRACIELA ITURBIDE, LOTTE JACOBI, AND ALMA LAVENSON. ORGANIZED BY THE PORTLAND MUSEUM OF ART AND DRAWN FROM GLICKMAN LAUDER'S COLLECTION OF NEARLY 700 WORKS OF ART, PRESENCE IS INEXTRICABLY SHAPED BY HER PERSONAL AND ARTISTIC VISION. AS THE DAUGHTER OF A PHOTOGRAPHER AND A MASTER PHOTOGRAPHIC ACTIVIST AND STORYTELLER IN HER OWN RIGHT, GLICKMAN LAUDER DEVELOPED HER COLLECTION OVER SEVERAL DECADES, RESULTING IN AN INTIMATE, LIFELONG CONNECTION TO THE MEDIUM. AS AN ARTIST, GLICKMAN LAUDER'S PHOTOGRAPHS HAVE BEEN EXHIBITED WORLDWIDE AND ARE REPRESENTED IN OVER 300 PUBLIC AND PRIVATE COLLECTIONS, INCLUDING THE J. PAUL GETTY MUSEUM, THE WHITNEY MUSEUM OF AMERICAN ART, THE METROPOLITAN MUSEUM OF ART, AND THE UNITED STATES HOLOCAUST MUSEUM. THE PRESENTATION OF PRESENCE AT THE GRAND RAPIDS ART MUSEUM EXPANDED UPON A LONG HISTORY OF PHOTOGRAPHIC EXHIBITIONS AND ACQUISITIONS AT THE MUSEUM, PROVIDED A CONTEXT FOR GRAM'S COLLECTION AND ENCOURAGED A DIALOGUE WITH THE COMMUNITY AND COLLECTORS FOR FUTURE AREAS OF ACQUISITION. PRESENCE: THE PHOTOGRAPHY COLLECTION OF JUDY GLICKMAN LAUDER WAS ORGANIZED BY THE PORTLAND MUSEUM OF ART, MAINE. THE EXHIBITION WAS CURATED BY ANJULI LEBOWITZ, JUDY GLICKMAN LAUDER ASSOCIATE CURATOR OF PHOTOGRAPHY, PORTLAND MUSEUM OF ART, MAINE.
MESSAGE FROM OUR PLANET: DIGITAL ART FROM THE THOMA COLLECTIONTHIS EXHIBIT PROPOSED THAT DIGITAL TECHNOLOGIES OFFER DISTINCT WAYS FOR ARTISTS TO COMMUNICATE WITH FUTURE GENERATIONS. IN THE HANDS OF THESE CREATIVE ARTISTS COMPUTER CODE, DIGITAL DATA, VIDEO GAMES, AND EVEN DISCARDED ELECTRONIC PARTS, BECOME ENGAGING WORKS OF ART WITH THE POWER TO EXPRESS THEIR UNIQUE BELIEFS, IDEAS, AND DESIRES.DIGITAL ART IS A TERM USED TO DESCRIBE ART THAT IS CREATED, STORED, OR PRESENTED USING DIGITAL TECHNOLOGY. IT CAN BE CREATED IN AN INCREDIBLE VARIETY OF MEDIUMS, INCLUDING VIDEO, DIGITAL PHOTOGRAPHY, COMPUTER-GENERATED GRAPHICS, AND MORE. MANY ARTISTS COMBINE DIGITAL TOOLS WITH TRADITIONAL MEDIA LIKE DETROIT-BASED ARTIST MATTHEW ANGELO HARRISON WHO USES CUSTOM SOFTWARE AND A HAND-MADE 3D PRINTER TO CREATE CERAMIC SCULPTURES. OTHER ARTISTS REMAIN EXCLUSIVELY WITHIN THE DIGITAL REALM AND OFTEN UTILIZE TOOLS NOT ORIGINALLY INTENDED FOR ARTISTIC EXPRESSION, LIKE MOHAWK ARTIST SKAWENNATI WHO BUILT SETS, CREATED CHARACTERS, AND FILMED HER VIDEO TIMETRAVELLER WITHIN THE VIDEO GAME SECOND LIFE. AS DIGITAL TECHNOLOGY BECOMES INTERTWINED WITH OUR EVERYDAY EXISTENCE AND CONTINUES TO ADVANCE, NEW AVENUES OF EXPRESSION WILL CONTINUE TO OPEN FOR TODAY'S ARTISTS.CURATED AND SUPPORTED BY THE CARL & MARILYNN THOMA FOUNDATION
Name (title) | Role | Hours | Compensation |
---|---|---|---|
Kurt Hassberger Trustee | Trustee | 1 | $0 |
Erin Gravelyn President | OfficerTrustee | 3 | $0 |
Lizbeth O'shaughnessy Vice - President | OfficerTrustee | 3 | $0 |
Stacie Behler Trustee | Trustee | 1 | $0 |
Meg Goebel Trustee | Trustee | 1 | $0 |
India Manns Trustee | Trustee | 1 | $0 |
Vendor Name (Service) | Service Year | Compensation |
---|---|---|
Us Security Associates Inc Security | 9/29/15 | $464,653 |
Andy J Egan Company Inc Labor Maint | 9/29/15 | $152,075 |
Statement of Revenue | |
---|---|
Federated campaigns | $0 |
Membership dues | $168,971 |
Fundraising events | $200,326 |
Related organizations | $982,725 |
Government grants | $0 |
All other contributions, gifts, grants, and similar amounts not included above | $2,569,754 |
Noncash contributions included in lines 1a–1f | $0 |
Total Revenue from Contributions, Gifts, Grants & Similar | $3,921,776 |
Total Program Service Revenue | $661,917 |
Investment income | $36,050 |
Tax Exempt Bond Proceeds | $0 |
Royalties | $0 |
Net Rental Income | -$30,445 |
Net Gain/Loss on Asset Sales | $0 |
Net Income from Fundraising Events | -$33,960 |
Net Income from Gaming Activities | $0 |
Net Income from Sales of Inventory | $278,089 |
Miscellaneous Revenue | $0 |
Total Revenue | $4,844,303 |
Statement of Expenses | |
---|---|
Grants and other assistance to domestic organizations and domestic governments. | $0 |
Grants and other assistance to domestic individuals. | $0 |
Grants and other assistance to Foreign Orgs/Individuals | $0 |
Benefits paid to or for members | $0 |
Compensation of current officers, directors, key employees. | $0 |
Compensation of current officers, directors, key employees. | $0 |
Compensation to disqualified persons | $0 |
Other salaries and wages | $1,760,344 |
Pension plan accruals and contributions | $0 |
Other employee benefits | $168,176 |
Payroll taxes | $123,897 |
Fees for services: Management | $0 |
Fees for services: Legal | $0 |
Fees for services: Accounting | $0 |
Fees for services: Lobbying | $0 |
Fees for services: Fundraising | $0 |
Fees for services: Investment Management | $0 |
Fees for services: Other | $1,050,262 |
Advertising and promotion | $43,089 |
Office expenses | $69,753 |
Information technology | $0 |
Royalties | $0 |
Occupancy | $977,409 |
Travel | $36,048 |
Payments of travel or entertainment expenses for any federal, state, or local public officials | $0 |
Conferences, conventions, and meetings | $6,342 |
Interest | $61,426 |
Payments to affiliates | $0 |
Depreciation, depletion, and amortization | $2,340,699 |
Insurance | $105,882 |
All other expenses | $124,893 |
Total functional expenses | $7,892,423 |
Balance Sheet | |
---|---|
Cash—non-interest-bearing | $1,287,660 |
Savings and temporary cash investments | $0 |
Pledges and grants receivable | $4,717,824 |
Accounts receivable, net | $31,476 |
Loans from Officers, Directors, or Controlling Persons | $0 |
Loans from Disqualified Persons | $0 |
Notes and loans receivable | $0 |
Inventories for sale or use | $21,710 |
Prepaid expenses and deferred charges | $182,486 |
Net Land, buildings, and equipment | $59,080,697 |
Investments—publicly traded securities | $0 |
Investments—other securities | $87,547 |
Investments—program-related | $0 |
Intangible assets | $0 |
Other assets | $42,444 |
Total assets | $65,451,844 |
Accounts payable and accrued expenses | $532,814 |
Grants payable | $0 |
Deferred revenue | $0 |
Tax-exempt bond liabilities | $0 |
Escrow or custodial account liability | $0 |
Loans and other payables to any current Officer, Director, or Controlling Person | $0 |
Secured mortgages and notes payable | $0 |
Unsecured mortgages and notes payable | $1,000,000 |
Other liabilities | $158,604 |
Total liabilities | $1,691,418 |
Net assets without donor restrictions | $58,768,071 |
Net assets with donor restrictions | $4,992,355 |
Capital stock or trust principal, or current funds | $0 |
Paid-in or capital surplus, or land, building, or equipment fund | $0 |
Retained earnings, endowment, accumulated income, or other funds | $0 |
Total liabilities and net assets/fund balances | $65,451,844 |