Institute Of Contemporary Art, operating under the name Icaboston, is located in Boston, MA. The organization was established in 1959. According to its NTEE Classification (A51) the organization is classified as: Art Museums, under the broad grouping of Arts, Culture & Humanities and related organizations. As of 06/2021, Icaboston employed 222 individuals. This organization is an independent organization and not affiliated with a larger national or regional group of organizations. Icaboston is a 501(c)(3) and as such, is described as a "Charitable or Religous organization or a private foundation" by the IRS.
For the year ending 06/2021, Icaboston generated $26.4m in total revenue. This organization has experienced exceptional growth, as over the past 6 years, it has increased revenue by an average of 11.8% each year . All expenses for the organization totaled $14.6m during the year ending 06/2021. You can explore the organizations financials more deeply in the financial statements section below.
Form
990T
Mission & Program ActivityExcerpts From the 990T Filing
TAX YEAR
2021
Describe the Organization's Mission:
Part 3 - Line 1
SEE SCHEDULE O FOR DESCRIPTION.THE MISSION OF THE INSTITUTE OF CONTEMPORARY ART ("ICA") IS TO SHARE THE PLEASURES OF REFLECTION, INSPIRATION, PROVOCATION, AND IMAGINATION THAT CONTEMPORARY ART OFFERS THROUGH PUBLIC ACCESS TO ART, ARTISTS, AND THE CREATIVE PROCESS.
Describe the Organization's Program Activity:
ART EXHIBITIONS: GALLERY PRESENTATIONS: THE ICA PRESENTED FIVE CONTEMPORARY ART EXHIBITIONS FEATURING PAINTING, DRAWING, SCULPTURE, VIDEO, INSTALLATION, AND MORE. DUE TO THE ONGOING COVID-19 PANDEMIC AND IN LINE WITH THE CDC'S RECOMMENDATIONS, THE ICA CLOSED ITS DOORS TWICE TO AUDIENCES, WITH CLOSURE PERIODS COVERING FY21:FIRST CLOSURE: MARCH 13, 2020 - JULY 13, 2020 SECOND CLOSURE: DECEMBER 8, 2020 - MARCH 17, 2021 FY21 GALLERY EXHIBITS ATTENDANCE TOTALED 204,914 VISITORS, AND IN-PERSON PROGRAMMING ATTENDANCE NUMBERED 215. TWO FY20 EXHIBITIONS HAD THEIR EXHIBITION DATES EXTENDED: NINA CHANEL ABNEY AND BEYOND INFINITY: CONTEMPORARY ART AFTER KUSAMA. THIS EXTENSION AFFORDED VISITORS THE OPPORTUNITY TO SEE WHAT THEY MIGHT HAVE MISSED WERE THEY NOT ABLE TO COME TO THE MUSEUM BEFORE THE CLOSURES, AND FOR RETURNING VISITORS, TO RENEW THEIR ENGAGEMENT WITH THE WORK. RAGNAR KJARTANSSON: THE VISITORSSEPTEMBER 30, 2020 - AUGUST 15, 2021PAUL AND CATHERINE BUTTENWIESER AND FOTENE DEMOULAS GALLERIESTHE FIRST NEWLY INSTALLED EXHIBITION AT THE MUSEUM FOLLOWING MONTHS OF CLOSURE DURING THE GLOBAL COVID-19 PANDEMIC, RAGNAR KJARTANSSON'S (B. 1976, REYKJAVIK, ICELAND) THE VISITORS IS A TRULY BELOVED ARTWORK IN THE ICA'S PERMANENT COLLECTION, ONE THAT CONTINUALLY INSPIRES AND MOVES OUR COMMUNITY. A SENTIMENTAL PORTRAYAL OF FRIENDSHIP, LOVE, AND LOSS, THE VISITORS IS A MONUMENTAL, NINE-CHANNEL SOUND AND VIDEO INSTALLATION OF A PERFORMANCE STAGED AT ROKEBY FARM, A HISTORIC 43-ROOM ESTATE IN UPSTATE NEW YORK. EACH OF THE INDIVIDUAL AUDIO AND VIDEO CHANNELS FEATURES MUSICIANS PLAYING INSTRUMENTS EITHER ALONE OR IN GROUPS, ISOLATED YET IN UNISON, OCCUPYING DIFFERENT ROOMS OF THE ROMANTICALLY DILAPIDATED ESTATE. THE MUSICAL COMPOSITION COHERES IN THE WORK'S INSTALLATION, PRESENTING A DYNAMIC AND MOVING ENSEMBLE PERFORMANCE KJARTANSSON REFERS TO AS A "FEMININE NIHILISTIC GOSPEL SONG." THROUGH ITS UNIQUE ARRANGEMENT OF MUSIC IN SPACE, THE VISITORS CREATES A LAYERED PORTRAIT OF THE HOUSE AND ITS MUSICAL INHABITANTS. FOR SOME, THE PROLONGED EXPERIENCE OF SHELTERING-IN-PLACE CHARACTERIZED AT TIMES AS BEING "ALONE TOGETHER" DRAMATICALLY CHANGED OUR CONCEPTION OF HOME AND OUR RELATIONSHIPS TO ONE ANOTHER. AS THE MUSEUM REOPENS, WE TURN TO THIS FAMILIAR WORK FOR ITS RANGE OF RESONANT THEMES, THAT IT MIGHT OFFER COMFORT OR HEALING, AND KNOWING THAT OUR EXPERIENCE OF IT AT THIS TIME WILL BE DIFFERENT.ORGANIZED BY JEFFREY DE BLOIS, ASSISTANT CURATOR AND PUBLICATIONS MANAGER.WILLIAM KENTRIDGE: KABOOM!NOVEMBER 18, 2020 - MAY 23, 2021BRIDGETT AND BRUCE EVANS GALLERIESTHE CENTRAL FOCUS OF THE WIDE-RANGING, INTERDISCIPLINARY WORK OF WILLIAM KENTRIDGE (B. 1955, JOHANNESBURG, SOUTH AFRICA) IS THE PROLONGED EFFECTS OF COLONIALISM IN SOUTH AFRICA. USING A DIVERSE RANGE OF MEDIA, FROM DRAWING, PERFORMANCE, AND FILM TO OPERA AND OTHER LARGE-SCALE THEATRICAL PRODUCTIONS, KENTRIDGE REANIMATES PAINFUL HISTORIES AND UNCOMFORTABLE PARADOXES OF COLONIALISM, "WHAT WE'VE CHOSEN NOT TO REMEMBER," AS HE SAYS.THE ICA PRESENTS THE U.S. MUSEUM PREMIERE OF KABOOM! (2018), A RECENT MAJOR ACQUISITION AND ROOM-FILLING MULTIMEDIA INSTALLATION. KABOOM! TELLS THE STORY OF THE NEARLY TWO MILLION AFRICAN PORTERS USED BY BRITISH, FRENCH, AND GERMAN COLONIAL FORCES DURING WORLD WAR I. SET TO A ROUSING, ORCHESTRAL SCORE CO-COMPOSED BY PHILIP MILLER AND THUTHUKA SIBISI, THE MONUMENTAL, THREE-CHANNEL VIDEO IS PROJECTED ONTO A SCALE MODEL OF THE STAGE FROM KENTRIDGE'S TOUR-DE-FORCE PERFORMANCE THE HEAD & THE LOAD, WHICH PREMIERED AT TATE LONDON BEFORE BEING PRESENTED AT NEW YORK'S PARK AVENUE ARMORY. EMPLOYING HIS TRADEMARK MULTIDISCIPLINARY APPROACH AND HIS RECURRING TROPE OF THE PROCESSION, KENTRIDGE BUILDS UP DYNAMIC LAYERS OF DRAWINGS, MOVING IMAGES, AND TEXTS PROJECTED ONTO SCULPTURAL PAPER PROPS AND FOUND OBJECTS TO EMBODY THE DRAMATIC ARC AND THEATRICAL INTENSITY OF THE HEAD & THE LOAD AT GALLERY SCALE. THE TITLE OF THE HEAD & THE LOAD COMES FROM A GHANAIAN PROVERB, "THE HEAD AND THE LOAD ARE THE TROUBLES OF THE NECK, AND THE PORTERS IN KABOOM! SHOULDER THE PHYSICAL LOAD TRANSPORTED ALL ACROSS AFRICA. AS THE WORK SUGGESTS, THEY ARE THE ONES WHO ULTIMATELY BEAR THE HISTORICAL LEGACY OF COLONIALISM AND WAR. ORGANIZED BY JEFFREY DE BLOIS, ASSISTANT CURATOR AND PUBLICATIONS MANAGER.I'M YOURS: ENCOUNTERS WITH ART IN OUR TIMESNOVEMBER 19, 2020 - MAY 23, 2021KAREN AND BRIAN CONWAY GALLERIESEVENTS OF 2020 BROUGHT THE WORLD TO A HALT, AFFECTING GLOBAL COMMERCE AND SECURITY, PUTTING OUR OWN MORTALITY IN SHARP FOCUS, AND HEIGHTENING EXISTING INEQUITIES, INJUSTICES, AND POLITICAL TENSIONS. IN THIS TIME, WE ASKED: WHAT IS THE ROLE OF ART AND MUSEUMS? I'M YOURS: ENCOUNTERS WITH ART IN OUR TIMES CELEBRATES THE POWER OF EXPERIENCING ART IN PERSON. THIS EXHIBITION, WHICH BORROWS ITS TITLE FROM A HENRY TAYLOR PAINTING IN THE ICA COLLECTION, IS CONCEIVED AS AN INVITATION TO OUR VISITORS TO CREATE A PERSONAL CONNECTION WITH WORKS OF ART. COLLABORATIVELY AND VIRTUALLY ORGANIZED IN THE MIDST OF THE GLOBAL COVID-19 PANDEMIC AND SOCIAL UNREST, I'M YOURS IS PRESENTED WITHIN A DRAMATIC, RAW ARCHITECTURAL SPACE AS A SERIES OF SMALL GALLERIES, EACH OFFERING A DIFFERENT ARTISTIC PERSPECTIVE TO EMPHASIZE THAT THE STORIES MUSEUMS MAY TELL THROUGH ART ARE NEVER FIXED BUT ALWAYS IN PROCESS. COMPRISING UNIQUE ENCOUNTERS WITH NEW ACQUISITIONS AND ICONIC WORKS FROM THE ICA'S COLLECTION, THE EXHIBITION'S GROUPINGS, OR SCENES, ADDRESS A RANGE OF TOPICS, INCLUDING IDEAS OF HOME AND HISTORY, SOCIAL AND MATERIAL TRANSFORMATION, AND FRAMES OF IDENTITY IN PORTRAITURE AND SCULPTURE.INCLUDING WORKS BY NJIDEKA AKUNYILI CROSBY, KADER ATTIA, FIRELEI BAEZ, LOUISE BOURGEOIS, NAN GOLDIN, SIMONE LEIGH, DORIS SALCEDO, AND MANY OTHERS, I'M YOURS SPARKS WONDER, ENCOURAGES QUESTIONS, CHALLENGES ASSUMPTIONS, AND PROVIDES A SPACE FOR REFLECTION.ORGANIZED BY JEFFREY DE BLOIS, ASSISTANT CURATOR AND PUBLICATIONS MANAGER; RUTH ERICKSON, MANNION FAMILY CURATOR; ANNI PULLAGURA, CURATORIAL ASSISTANT AND EVA RESPINI, BARBARA LEE CHIEF CURATOR. NINA CHANEL ABNEYJAN 17, 2019 - JAN 31, 2021 (EXHIBITION END DATE EXTENDED)SANDRA AND GERALD FINEBERG ART WALLDEEPLY INVESTED IN CREATING IMAGERY THAT IS LEGIBLE AND ACCESSIBLE, NINA CHANEL ABNEY (B. 1982, CHICAGO) IS KNOWN FOR WEAVING COLORFUL GEOMETRIC SHAPES, CARTOONS, LANGUAGE, AND SYMBOLS INTO CHAOTIC AND ENERGETIC COMPOSITIONS. AT THE ICA, SHE HAS CREATED A MURAL THAT SPEAKS TO SOCIAL TENSIONS IN THE DIGITAL AGE, INCLUDING THE CONSTANT STREAM OF TRUE AND FALSE INFORMATION, THE DILEMMA OF LIBERAL RACISM, AND ABUSES OF POWER THAT LEAD TO STRUCTURAL INEQUALITY.ORGANIZED BY ELLEN TANI, ASSISTANT CURATOR.BEYOND INFINITY: CONTEMPORARY ART AFTER KUSAMA SEP 24, 2019 - JUL 25, 2021 (EXHIBITION END DATE EXTENDED)KIM AND JIM PALLOTTA GALLERYDRAWN PRIMARILY FROM THE ICA'S PERMANENT COLLECTION, THIS EXHIBITION PRESENTS ARTWORKS THAT ENGAGE WITH THE PIONEERING IDEAS OF YAYOI KUSAMA (B. 1929, MATSUMOTO, JAPAN). BEYOND INFINITY: CONTEMPORARY ART AFTER KUSAMA CELEBRATES KUSAMA'S PRESCIENT ARTISTIC VISION, WHICH SINCE THE 1950S HAS MERGED TECHNIQUES OF REPETITION, OBSESSIONAL PATTERNS, AND THE ACTIVATION OF THE BODY IN SEARCH OF A PATH TO LIBERATION FROM PSYCHOLOGICAL AND SOCIETAL CONSTRAINTS. THROUGH HER PAINTINGS, SCULPTURES, AND ENVIRONMENTS, AS WELL AS BODY ART, FILM, AND PERFORMANCE, KUSAMA CHANNELED THE ATTITUDES AND REALITIES OF THE MOMENT BUT AVOIDED SUCH LABELS AS POP, MINIMALISM, POSTMINIMALISM, AND PERFORMANCE ART. KUSAMA'S PEERS SHARED HER INTEREST IN TIMELESS CONCEPTS THAT PUSHED THE LIMITS OF POSSIBILITY AND OF IMAGINATION: THE IDEA OF THE INFINITE; THE EXPERIENCE OF RAPTURE; THE REPRESENTATIONAL POWER OF ILLUSION; AND THE THRESHOLD BETWEEN LIFE AND DEATH. HERE, KUSAMA'S WORK IS PRESENTED ALONGSIDE THAT OF HER CONTEMPORARIES, SUCH AS LOUISE BOURGEOIS AND ANA MENDIETA, AND OTHER ARTISTS WHOSE WORK BUILDS ON HER LASTING IMPACT ON CONTEMPORARY ART THROUGH DIZZYING ARRAYS OF FORMS AND COLORS, INFINITE REFLECTION, AND THE EVOCATIVE VOCABULARY OF THE BODY.ORGANIZED BY ELLEN TANI, ASSISTANT CURATOR.
EDUCATION, ADULTS, TEENSTHE ICA OFFERS A ROBUST RANGE OF EDUCATIONAL PROGRAMS BUILT AROUND THEMES IN CONTEMPORARY ART. GEARED TOWARD ADULT, TEEN, AND FAMILY AUDIENCES, THESE INCLUDE PUBLIC PROGRAMS, DIGITAL RESOURCES, AND MORE. WE EXTEND OUR GRATITUDE TO THE MANY INDIVIDUALS AND ORGANIZATIONS WHO CONTRIBUTE TO THE SUCCESS OF THESE INITIATIVES, INCLUDING TEACHING ARTISTS, COMMUNITY PARTNERS, SCHOOLS, AND THE ARTISTS THEMSELVES. BEGINNING IN MARCH 2020 THE EDUCATION DEPARTMENT ADAPTED MANY PROGRAMS TO VIRTUAL SETTINGS DUE TO THE COVID-19 PANDEMIC.ADULT & INTERPRETIVE PROGRAMSADULT & INTERPRETIVE PROGRAMS SERVED A TOTAL OF 2,177 PEOPLE THROUGH VIRTUAL WORKSHOPS AND LECTURE PROGRAMS. SELECT LECTURE PROGRAMS IN FY21 WERE MADE AVAILABLE THROUGH THE ICA'S WEBSITE AMONG OTHER RESOURCES. WITH OVER 10,000 INTERACTIONS THE REACH OF THESE PROGRAMS WAS EXPANDED BEYOND THE ICA'S USUAL AUDIENCES.VIRTUAL WORKSHOPS AND PROGRAMS* WELLNESS TOGETHER: - MOVEMENT WITH AFRO FLOW YOGA - WALL PENNANTS WITH ANDY LI - MEDITATION WITH CULTURAL FABRIC - THREADS OF CONNECTION WITH MERILL COMEAU - WIKIPEDIA EDIT-A-THON ON DEMOCRACY - DRAWING ON LOVE AND JUSTICE * ICA ROAD TRIP: - WALKER ART CENTER - INTERNATIONAL MUSEUM OF FOLK ART - NASHER SCULPTURE CENTERVIRTUAL LECTURE PROGRAMS* ICA FORUM: RACISM, PUBLIC HEALTH, AND CONTEMPORARY ART II* THE ARTIST'S VOICE: - RANIA MATAR WITH RUTH ERICKSON - ZANELE MUHOLI WITH EVA RESPINI - WILLIAM KENTRIDGE - FIRELEI BEZ - VIRGIL ABLOH WITH JOSH JOHNSON* AIGA + ICA PRESENT CHRISTOPH NIEMANN WITH R MICHAEL HENDRIXIN-PERSON LECTURE PROGRAMS* THE ARTIST'S VOICE: VIRGIL ABLOH WITH JOSH JOHNSON (PUBLIC SCREENING)FAMILY PROGRAMSFAMILY PROGRAMS SERVED 558 PEOPLE THROUGH VIRTUAL PLAY DATES AND WORKSHOPS. THE ICA LAUNCHED A VIRTUAL VISUAL ARTS GROUP FOR MIDDLE SCHOOL YOUTH (GRADES 6-8) CALLED ART (CO)LAB. THE YEAR-LONG PROGRAM (NOVEMBER-MAY) SERVED 19 YOUTH. DUE TO THE PANDEMIC, THE BANK OF AMERICA ART LAB WAS NOT OPEN TO VISITORS FOR DROP-IN ARTMAKING ACTIVITIES. FAMILY PROGRAMS DISTRIBUTED 6,900 ART KITS THROUGH THE EAST BOSTON FOOD AND ART DISTRIBUTION PROGRAM, BOSTON PUBLIC SCHOOLS*, BOSTON PUBLIC LIBRARY**, AND ON SITE AT THE ICA IN CONJUNCTION WITH PLAY DATES. ARTMAKING ACTIVITIES ALSO LIVE ON THE ICA'S WEBSITE UNDER BANK OF AMERICA ART LAB AT HOME. WITH OVER 7,000 INTERACTIONS THE REACH OF THESE PROGRAMS WAS EXPANDED BEYOND THE ICA'S USUAL AUDIENCES.IN IN FISCAL YEAR 2021, 1,200 ART KITS WERE DISTRIBUTED TO STUDENTS FROM THE FOLLOWING BOSTON PUBLICSCHOOLS:* JAMES F. CONDON K-8* CURLEY K-8* LILLA G. FREDERICK PILOT MIDDLE SCHOOL* JOSEPH LEE K-8* JOHN W. MCCORMACK MIDDLE SCHOOL* MATTAHUNT ELEMENTARY* MILDRED AVENUE K-8* MARGARITA MUIZ ACADEMY* RICHARD J. MURPHY K-8* ORCHARD GARDENS K-8* TYNAN ELEMENTARY* UP ACADEMY DORCHESTERIN FISCAL YEAR 2021, 100 ART KITS WERE DISTRIBUTED TO FAMILIES THROUGH THE FOLLOWING BOSTON PUBLIC LIBRARY BRANCHES:* FIELDS CORNER* SOUTH BOSTONVIRTUAL FAMILY PROGRAMS* PLAY DATE: - LOOKING IN, LOOKING OUT - REFLECTIVE ROOTS - IN HARMONY - INFINITY AND BEYOND - REIMAGINING TOMORROW - STORY MAKERS - CONTEMPORARY PRACTICES IN ILLUSTRATION + COMICS - CONTEMPORARY PRACTICES IN ANIMATION +FILMMAKING - SUMMER STORIES: CHAPTER 1* VIRTUAL HANGOUT: - THREADS OF CONNECTION QUILTING BEES (4-PART SERIES)COMMUNITY PARTNERSHIPSTHE ICA COLLABORATED WITH NUMEROUS ORGANIZATIONS THROUGHOUT FY21. BELOW IS A LIST OF SELECT PARTNER ORGANIZATIONS.BOSTON PUBLIC SCHOOLS ARTS CREDIT PROGRAM PARTNER SCHOOLS* BOSTON COMMUNITY LEADERSHIP ACADEMY* BOSTON DAY AND EVENING ACADEMY* BOSTON INTERNATIONAL NEWCOMERS ACADEMY* CHARLESTOWN HIGH SCHOOL* EAST BOSTON HIGH SCHOOL* ENGLISH HIGH SCHOOL* EXCEL HIGH SCHOOL* FENWAY HIGH SCHOOL* GREATER EGLESTON HIGH SCHOOL* NEW MISSION HIGH SCHOOL* O'BRYANT SCHOOL OF MATHEMATICS & SCIENCE* SNOWDEN INTERNATIONAL SCHOOLCOMMUNITY PARTNER ORGANIZATIONS* AFRO FLOW YOGA * AIGA BOSTON* HARVARD GRADUATE SCHOOL OF EDUCATION* CASTLE SQUARE TENANTS ASSOCIATION* BOSTON PUBLIC SCHOOLS ARTS DEPARTMENT* URBANITY DANCE* THE GOTTABEES* BOSTON AFTERSCHOOL AND BEYOND* BOSTON PUBLIC LIBRARY* BOSTON PUBLIC SCHOOLS* CULTURAL FABRIC* DECORDOVA SCULPTURE PARK AND MUSEUM/THE TRUSTEES* EAST BOSTON NEIGHBORHOOD HEALTH CENTER* EAST BOSTON SOCIAL CENTERS* EASTIE FARM* INTERNATIONAL MUSEUM OF FOLK ART* MASSART ART MUSEUM* MAYOR'S OFFICE OF FOOD ACCESS* MAYOR'S OFFICE OF NEW URBAN MECHANICS* MIT LIST VISUAL ARTS CENTER* NASHER SCULPTURE CENTER* NATIONAL PARK SERVICE* ORIENT HEIGHTS HOUSING DEVELOPMENT* STUDIO INSTITUTE* UMASS BOSTON: URBAN SCHOLARS PROGRAM* VERONICA ROBLES CULTURAL CENTER* WALKER ART CENTER* ZUMIXTOUR AND GROUP VISIT PROGRAMSVIRTUAL VISITS FOR K-12 YOUTH SERVED 2,300 PEOPLE THROUGH 132 VIRTUAL VISITS. AND VIRTUAL VISITS FOR COLLEGE, ADULT AND SENIOR GROUPS SERVED 569 PEOPLE THROUGH 17 VIRTUAL VISITS.TEEN PROGRAMSTEEN PROGRAMS SERVED A TOTAL OF 1,739 YOUTH THROUGH VIRTUAL PROGRAMS AND EVENTS IN FY21. IN ADDITION, TEEN PROGRAMS DISTRIBUTED 3,515 ART KITS TO TEENS AND SERVED 32 TEENS THROUGH IN-PERSON PROGRAMS. ALL PROGRAMS ARE LISTED BELOW. EDUCATIONAL RESOURCES AND STUDENT FILMS CREATED THROUGH ICA TEEN PROGRAMS WERE ALSO ACCESSIBLE VIA THE ICATEENS.ORG WEBSITE AND SOCIAL MEDIA CHANNELS.ARTIST ENCOUNTERS & INTERVIEWS (VIRTUAL)* ARTIST ENCOUNTER WITH DESTINY PALMER: THE CAUSE OF HER GRIEF* ARTIST INTERVIEW: - PAUL MPAGI SEPUYA - FIRELEI BAEZEXTENDED TEEN PROGRAMS (VIRTUAL)* ADVANCED PHOTOGRAPHY* ARTISTS & WRITERS COLLECTIVE* FAST FORWARD THURSDAY* FAST FORWARD FRIDAY* MUSIC PRODUCTION: AMP* PHOTOGRAPHY: SPECIAL FOCUS (FALL 2020; SPRING 2021)* TEEN ARTS COUNCIL (SUMMER 2020; SCHOOL YEAR 2020-2021)TEEN ARTS COUNCIL (VIRTUAL)* IN SUMMER 2020, 14 STUDENTS FROM: - BOSTON ARTS ACADEMY - BOSTON LATIN ACADEMY - BOSTON LATIN SCHOOL - BROOKLINE HIGH SCHOOL - BURKE HIGH SCHOOL - FENWAY HIGH SCHOOL - LYNN CLASSICAL HIGH SCHOOL - O'BRYANT SCHOOL OF MATHEMATICS AND SCIENCE - REVERE HIGH SCHOOL - ROXBURY PREPARATORY HIGH SCHOOL - SOMERVILLE HIGH SCHOOL* IN SCHOOL YEAR 2020-2021, 15 STUDENTS FROM: - BOSTON ARTS ACADEMY - BOSTON LATIN SCHOOL - BOSTON PREP - BRAINTREE HIGH SCHOOL - DEARBORN STEM ACADEMY - FENWAY HIGH SCHOOL - LYNN CLASSICAL HIGH SCHOOL - NORTHEAST METRO TECH - O'BRYANT SCHOOL OF MATHEMATICS AND SCIENCE - RANDOLPH HIGH SCHOOL - REVERE HIGH SCHOOLTEEN ARTS COUNCIL CREATED A TOTAL OF 2,000 ART KITS IN FEBRUARY OF 2021 THAT THEY DISTRIBUTED AT SCHOOLS AND COMMUNITY ORGANIZATIONS ACROSS BOSTON.MEMBERS OF TEEN ARTS COUNCIL ALSO COMPLETED THREE OTHER SPECIAL PROJECTS THIS YEAR: - COLLABORATION WITH JUNIPER (VIRTUAL) - SPECIAL PROJECT: VIRGIL ABLOH ZINE (IN-PERSON) - SPECIAL PROJECT: VIDEOS WITH VISITOR ASSISTANTS (VIRTUAL)
EARNED INCOME ACTIVITIES: - EVENT SPACE RENTALS: THE ICA HAD 7 EVENT RENTALS IN FY21 THAT WERE ATTENDED BY 215 VISITORS WHO HAD THE OPPORTUNITY TO VIEW THE ICA'S AWARD WINNING ARCHITECTURAL DESIGN AND EXHIBITIONS.
Name (title) | Role | Hours | Compensation |
---|---|---|---|
Jill Medvedow Director/ex-Officio | OfficerTrustee | 37.5 | $855,114 |
Eva Respini Chief Curator | Officer | 37.5 | $225,560 |
Natasa Vucetic Chief Financial & Operations Officer | Officer | 37.5 | $172,014 |
Kelly Gifford Deputy Director Public Engagement And Planning | 37.5 | $165,671 | |
Kathryn Greenberg Mayshak Dir. Of Development (until 8/31/20) | 37.5 | $138,897 | |
Monica Garza Director Of Education | 37.5 | $125,928 |
Vendor Name (Service) | Service Year | Compensation |
---|---|---|
Allied Universal Security Services | 6/29/21 | $277,853 |
The Catered Affair Catering Services | 6/29/21 | $255,051 |
Mystic Scenic Studios Exhibition Design Services | 6/29/21 | $179,678 |
Crozier Fine Arts Shipping And Storage Services | 6/29/21 | $167,749 |
American Cleaning Co Cleaning Services | 6/29/21 | $218,218 |
Statement of Revenue | |
---|---|
Federated campaigns | $0 |
Membership dues | $0 |
Fundraising events | $0 |
Related organizations | $0 |
Government grants | $2,585,408 |
All other contributions, gifts, grants, and similar amounts not included above | $15,608,935 |
Noncash contributions included in lines 1a–1f | $322,073 |
Total Revenue from Contributions, Gifts, Grants & Similar | $18,194,343 |
Total Program Service Revenue | $1,129,210 |
Investment income | $173,554 |
Tax Exempt Bond Proceeds | $0 |
Royalties | $0 |
Net Rental Income | -$127,673 |
Net Gain/Loss on Asset Sales | $6,586,305 |
Net Income from Fundraising Events | $0 |
Net Income from Gaming Activities | $0 |
Net Income from Sales of Inventory | $452,806 |
Miscellaneous Revenue | $0 |
Total Revenue | $26,427,567 |
Statement of Expenses | |
---|---|
Grants and other assistance to domestic organizations and domestic governments. | $0 |
Grants and other assistance to domestic individuals. | $0 |
Grants and other assistance to Foreign Orgs/Individuals | $0 |
Benefits paid to or for members | $0 |
Compensation of current officers, directors, key employees. | $944,456 |
Compensation of current officers, directors, key employees. | $539,693 |
Compensation to disqualified persons | $0 |
Other salaries and wages | $5,433,528 |
Pension plan accruals and contributions | $242,679 |
Other employee benefits | $510,490 |
Payroll taxes | $466,148 |
Fees for services: Management | $0 |
Fees for services: Legal | $38,703 |
Fees for services: Accounting | $92,396 |
Fees for services: Lobbying | $0 |
Fees for services: Fundraising | $20,700 |
Fees for services: Investment Management | $135,362 |
Fees for services: Other | $785,245 |
Advertising and promotion | $224,392 |
Office expenses | $57,276 |
Information technology | $234,505 |
Royalties | $0 |
Occupancy | $317,835 |
Travel | $16,453 |
Payments of travel or entertainment expenses for any federal, state, or local public officials | $0 |
Conferences, conventions, and meetings | $297 |
Interest | $111,919 |
Payments to affiliates | $0 |
Depreciation, depletion, and amortization | $2,440,406 |
Insurance | $121,358 |
All other expenses | $466,349 |
Total functional expenses | $14,575,137 |
Balance Sheet | |
---|---|
Cash—non-interest-bearing | $16,494,668 |
Savings and temporary cash investments | $0 |
Pledges and grants receivable | $10,289,470 |
Accounts receivable, net | $212,138 |
Loans from Officers, Directors, or Controlling Persons | $0 |
Loans from Disqualified Persons | $0 |
Notes and loans receivable | $0 |
Inventories for sale or use | $549,672 |
Prepaid expenses and deferred charges | $745,476 |
Net Land, buildings, and equipment | $40,749,963 |
Investments—publicly traded securities | $51,891,968 |
Investments—other securities | $387,984 |
Investments—program-related | $0 |
Intangible assets | $0 |
Other assets | $0 |
Total assets | $121,321,339 |
Accounts payable and accrued expenses | $1,469,216 |
Grants payable | $0 |
Deferred revenue | $0 |
Tax-exempt bond liabilities | $1,809,080 |
Escrow or custodial account liability | $0 |
Loans and other payables to any current Officer, Director, or Controlling Person | $0 |
Secured mortgages and notes payable | $0 |
Unsecured mortgages and notes payable | $0 |
Other liabilities | $700,000 |
Total liabilities | $3,978,296 |
Net assets without donor restrictions | $40,419,871 |
Net assets with donor restrictions | $76,923,172 |
Capital stock or trust principal, or current funds | $0 |
Paid-in or capital surplus, or land, building, or equipment fund | $0 |
Retained earnings, endowment, accumulated income, or other funds | $0 |
Total liabilities and net assets/fund balances | $121,321,339 |
Over the last fiscal year, we have identified 1 grants that Institute Of Contemporary Art has recieved totaling $500.
Awarding Organization | Amount |
---|---|
Sims-Maes Foundation Inc Boston, MA PURPOSE: GENERAL PURPOSES | $500 |
Beg. Balance | $43,544,382 |
Earnings | $9,886,732 |
Net Contributions | $4,944,115 |
Other Expense | $1,800,000 |
Ending Balance | $56,575,229 |
Organization Name | Assets | Revenue |
---|---|---|
Brooklyn Institute Of Arts And Sciences Brooklyn, NY | $388,418,074 | $82,546,120 |
Sterling & Francine Clark Art Inst Williamstown, MA | $670,367,352 | $8,296,004 |
Frick Collection New York, NY | $548,300,043 | $37,986,909 |
Isabella Stewart Gardner Museum Inc Boston, MA | $347,979,013 | $30,352,820 |
Buffalo Fine Arts Academy Buffalo, NY | $293,134,468 | $30,844,940 |
New Museum Of Contemporary Art New York, NY | $107,362,095 | $41,908,538 |
Institute Of Contemporary Art Boston, MA | $121,321,339 | $26,427,567 |
Museum Of Arts And Design New York, NY | $100,702,289 | $12,680,439 |
Wadsworth Atheneum Museum Of Art Hartford, CT | $165,426,651 | $15,147,902 |
Neue Galerie New York New York, NY | $114,494,920 | $18,242 |
Worcester Art Museum Worcester, MA | $148,643,203 | $30,005,812 |
International Center Of Photography New York, NY | $72,245,409 | $16,287,723 |