Whitney Museum Of American Art

Organization Overview

Whitney Museum Of American Art is located in New York, NY. The organization was established in 1936. According to its NTEE Classification (A51) the organization is classified as: Art Museums, under the broad grouping of Arts, Culture & Humanities and related organizations. As of 06/2022, Whitney Museum Of American Art employed 482 individuals. This organization is an independent organization and not affiliated with a larger national or regional group of organizations. Whitney Museum Of American Art is a 501(c)(3) and as such, is described as a "Charitable or Religous organization or a private foundation" by the IRS.

For the year ending 06/2022, Whitney Museum Of American Art generated $110.1m in total revenue. This represents relatively stable growth, over the past 7 years the organization has increased revenue by an average of 3.2% each year. All expenses for the organization totaled $77.5m during the year ending 06/2022. While expenses have increased by 0.1% per year over the past 7 years. They've been increasing with an increasing level of total revenue. You can explore the organizations financials more deeply in the financial statements section below.

Mission & Program ActivityExcerpts From the 990T Filing

TAX YEAR

2022

Describe the Organization's Mission:

Part 3 - Line 1

WHITNEY MUSEUM OF AMERICAN ART IS A MUSEUM DEVOTED TO AMERICAN ART OF THE 20TH AND 21ST CENTURIES.

Describe the Organization's Program Activity:

COLLECTION AND EXHIBITIONS OF AMERICAN ARTIN FY22, THE WHITNEY MUSEUM OF AMERICAN ART PRESENTED 7 EXHIBITIONS. THESE INCLUDED: THE WHITNEY'S COLLECTION: SELECTIONS FROM 1900 TO 1965 (JUNE 28, 2019 - PRESENT); JASPER JOHNS: MIND/MIRROR (SEPTEMBER 29, 2021 - FEBRUARY 13, 2022); LABYRINTH OF FORMS: WOMEN AND ABSTRACTION, 1930 - 1950 (OCTOBER 9, 2021 - MARCH 13, 2022); MY BARBARIAN (OCTOBER 29, 2021 - FEBRUARY 27, 2022); JENNIFER PACKER: THE EYE IS NOT SATISFIED WITH SEEING (OCTOBER 30, 2021 - APRIL 17, 2022); WHITNEY BIENNIAL 2022: QUIET AS IT'S KEPT (APRIL 6, 2022 - SEPTEMBER 5, 2022); AND AT THE DAWN OF A NEW AGE: EARLY TWENTIETH-CENTURY AMERICAN MODERNISM (MAY 7, 2022 - FEBRUARY 26, 2023).(SEE SCHEDULE O)FY22 PERFORMANCES AT THE MUSEUM INCLUDED: MY BARBARIAN: TRANSPARENCY 2021 (NOVEMBER 5, 2021); MY BARBARIAN: SONGBOOK (DECEMBER 18, 2021); MY BARBARIAN: DOUBLE FUTURE (FEBRUARY 24 - 26, 2022); AWILDA STERLING-DUPREY: BLINDFOLDED (MARCH 20, 2022); JASON RHOADES: SUTTER'S MILL (APRIL 8 - SEPTEMBER 2, 2022); MOBY DICK; OR, THE WHALE (APRIL 15 - 17, 2022); AND ALEX DA CORTE: ROY G BIV (APRIL 20 - AUGUST 8, 2022). AN ONGOING SERIES OF OUTDOOR ART SHOWN ACROSS GANSEVOORT STREET FROM THE MUSEUM HAD ONE INSTALLATION: WHITNEY BIENNIAL 2022: QUIET AS IT'S KEPT (APRIL 6- SEPTEMBER 5, 2022).THE FOLLOWING EXHIBITIONS TOURED NATIONALLY: VANTAGE POINTS: CONTEMPORARY PHOTOGRAPHY FROM THE WHITNEY MUSEUM OF AMERICAN ART (TAUBMAN MUSEUM OF ART, ROANOKE, VA); JULIE MEHRETU, CO-ORGANIZED WITH LACMA (WALKER ART CENTER, MINNEAPOLIS, MN); AND DAWOUD BEY: AN AMERICAN PROJECT, CO-ORGANIZED WITH SFMOMA (THE MUSEUM OF FINE ARTS, HOUSTON, TX).


PUBLICATION AND RETAIL SALES:MUSEUM RELATED AUXILLARY SERVICES THAT PROVIDE PRODUCTS RELATED TO THE MUSEUM'S COLLECTION AND EXHIBITIONS.


CURATORIAL AND RELATED SUPPORTIN FY22, THE WHITNEY MUSEUM OF AMERICAN ART CONTINUED ITS ONGOING STUDY INTO THE MORE THAN 26,000 OBJECTS IN THE COLLECTION BY OVER 3,700 ARTISTS. THE WHITNEY CONTINUED ITS WORK ON A MULTI-YEAR, CROSS-DEPARTMENTAL, AND CROSS-INSTITUTIONAL RESEARCH PROJECT TO UNDERSTAND THE ORIGIN, SCOPE, EVOLUTION, USE, AND IMPACT OF THE MUSEUM'S COLLECTION. THE PROJECT, WHICH WILL CULMINATE IN THE WHITNEY'S FIRST EVER COLLECTION STRATEGIC PLAN IN SPRING 2023, WILL OFFER RECOMMENDATIONS, GOALS, AND OBJECTIVES FOR THE FUTURE OF THE WHITNEY'S COLLECTION THAT IS INFORMED BY THE INSTITUTION'S HISTORY AND ENRICHED BY ITS DESIRE TO MAKE ITS HOLDINGS USEFUL, DYNAMIC,(SEE SCHEDULE O) AND RELEVANT FOR TODAY AND THE FUTURE. THE WHITNEY CONTINUES TO REFINE AND EXPERIMENT WITH ITS STRATEGIES FOR DISPLAYING MORE OF THE PERMANENT COLLECTION WITHIN ITS GALLERY SPACES. THE RESULTING COLLECTION DISPLAYS CREATE THEMATIC, ART HISTORICAL CONTEXTS AND COUNTERPOINTS TO THE ONGOING SPECIAL EXHIBITIONS PROGRAM, AND EXPLORE HOW THE INSTITUTION CAN CONTRIBUTE TO NEW NARRATIVES ABOUT AMERICAN CULTURE AND HISTORY. RICH DOCUMENTATION OF THESE INSTALLATIONS AND MANY OF THE ARTWORKS WITHIN THEM ALLOWED THESE EXHIBITIONS TO REMAIN ACCESSIBLE THROUGH THE MUSEUM'S WEBSITE. SINCE RE-OPENING TO THE PUBLIC IN FALL 2020, THE WHITNEY HAS ALSO CONTINUED TO FURTHER DEVELOP AND EXPAND MANY OF ITS DIGITAL AND HYBRID COLLECTION INITIATIVES THAT WERE FIRST INITIATED IN RESPONSE TO COVID-19 QUARANTINE RESTRICTIONS. WORK WAS ONGOING TO DIGITIZE THE MUSEUM'S COLLECTIONS, A PROJECT THAT IS A CRUCIAL ASPECT OF THE INCREASED SCOPE OF THE CURATORIAL, CONSERVATION, AND RESEARCH RESOURCES TEAMS IN ITS GREATLY ENLARGED FACILITY. THE WHITNEY'S PERMANENT COLLECTION REMAINED ONLINE AND AVAILABLE TO THE PUBLIC AS A SEARCHABLE RESOURCE AND IS UPDATED REGULARLY AS NEW WORKS ENTER THE COLLECTION. IMPORTANT LIBRARY AND SPECIAL COLLECTIONS HOLDINGS ARE KEPT ON SITE, AS WELL AS ABOUT 16,000 WORKS ON PAPER THAT ARE STORED IN THE SONDRA GILMAN STUDY CENTER, FACILITATING ACCESS TO THEM FOR CURATORS AND SCHOLARS. THE SONDRA GILMAN STUDY CENTER SUPPORTS CROSS-MEDIUM, CROSS-DISCIPLINARY RESEARCH, ALLOWING MUSEUM STAFF, ARTISTS, SCHOLARS, AND RESEARCHERS ACCESS TO THE COLLECTION AND OPPORTUNITY FOR CLOSE MATERIAL AND TECHNICAL EXAMINATION OF OBJECTS. AS SUCH, THE STUDY CENTER IS AN EXCEPTIONAL RESOURCE FOR HISTORIANS AND CURATORS OF MODERN AND CONTEMPORARY ART, MAKING THE WHITNEY'S WORLD-CLASS HOLDINGS AVAILABLE FOR PRIMARY RESEARCH AND IN-DEPTH CONSULTATION. PART-WAY THROUGH FY22 (IN FALL 2021), THE STUDY CENTER RE-OPENED FOLLOWING ITS CLOSURE DUE TO COVID-19. SINCE RE-OPENING, 33 EXTERNAL VISITS, WITH 115 UNIQUE VISITORS (20 OF THOSE BEING REPEAT VISITORS) WERE HELD IN THE STUDY CENTER.


EDUCATION PROGRAMSDURING FY22, THE WHITNEY'S EDUCATION DEPARTMENT COLLABORATED WITH COLLEAGUES ACROSS THE MUSEUM TO DEVELOP AND STRENGTHEN THE WHITNEY'S INFRASTRUCTURE FOR HYBRID PROGRAMMING AS THE COVID-19 PANDEMIC CONTINUED. ALL TEAMS DEVELOPED PROGRAMS TO ENGAGE THE WHITNEY'S WORLD-CLASS COLLECTION OF AMERICAN ART AND REACH THE DIVERSE ONLINE AUDIENCE THAT TYPICALLY VISITS THE MUSEUM. DURING FY22 THE MUSEUM SAW A SIGNIFICANT GROWTH OF IN PERSON VISITORS, AND MAINTAINED A VIRTUAL INTERNATIONAL AUDIENCE AND ONLINE PROGRAMMING ABOUT THE WHITNEY COLLECTION AND EXHIBITIONS DESIGNED BY MUSEUM EDUCATORS.(SEE SCHEDULE O)THE WHITNEY SERVED A TOTAL OF 60,809 VISITORS IN PERSON AND ONLINE, THROUGH SCHOOL, YOUTH, FAMILY, PUBLIC, AND ACCESS & COMMUNITY PROGRAMS. AN ADDITIONAL 947,720 ASYNCHRONOUS USERS ONLINE WERE SERVED THROUGH DIGITAL ENGAGEMENT WITH INTERPRETIVE CONTENT OF AUDIO GUIDES, RECORDED VIDEOS OF PROGRAMS ON YOUTUBE, AND PODCASTS. A TOTAL OF 10,242 OF THESE IN PERSON AND ONLINE VISITORS WERE K-12 STUDENTS. EDUCATION STAFF WORKED WITHIN AND ACROSS PROGRAM AREAS ON ZOOM TO PRESENT DYNAMIC PROGRAMMING THAT EXPLORED CRITICAL QUESTIONS ABOUT AMERICAN ART, CULTURE, AND SOCIETY. THE SCHOOL PROGRAM TEAM COMPLETED 356 ONLINE LESSONS AND SERVED 9,506 K-12 STUDENTS IN ONLINE AND IN-PERSON PROGRAMMING; 1,849 K-12 STUDENTS WERE FROM OUR 9 PARTNERSHIP SCHOOLS.IN ADDITION, THE WHITNEY EDUCATION DEPARTMENT CONTINUED ALL TEEN YOUTH INSIGHTS COHORTS WITH A TOTAL OF 119 MEETINGS AND TEEN'S EVENTS, SERVING A TOTAL OF 701 TEENS, OUT OF THESE NUMBER 101 TEENS PARTICIPATED INTO YOUTH INSIGHTS OR A LEADER PROGRAM. IN FY22, THE DEPARTMENT OFFERED ITS ANNUAL ART COLLEGE NIGHT FOR NYC TEENS, ON ZOOM. REPRESENTATIVES FROM COLLEGES IN THE NEW YORK AREA GAVE INFORMATION ABOUT SCHOLARSHIP OPPORTUNITIES, COLLEGE ESSAY WRITING TIPS, AND MUCH MORE. THE MUSEUM ALSO CONTINUED ITS COMMITMENT TO ACCESSIBILITY FOR VISITORS WITH DISABILITIES TO EXPERIENCE THE RICHNESS AND COMPLEXITY OF AMERICAN ART IN AN ACCESSIBLE AND INCLUSIVE ENVIRONMENT THROUGH REMOTE AND IN-PERSON OFFERINGS. THIS INCLUDES VISITORS WHO IDENTIFY AS DISABLED, D/DEAF, DEAF-BLIND, NEURODIVERGENT, AUTISTIC, LOW VISION AND/OR EXPERIENCE A RANGE OF COGNITIVE, INTELLECTUAL, AND DEVELOPMENTAL DISABILITY, PHYSICAL DISABILITY, CHRONIC ILLNESS AND/OR SENSORY SENSITIVITIES. WITH THE CONTINUATION OF THE COVID-19 PANDEMIC AND ITS ACUTE AND ONGOING IMPACT ON DISABILITY COMMUNITIES MOST PROGRAMMING REMAINED ONLINE. THE ACCESS TEAM FOCUSED ON EXPANDING ACCESS FEATURES ON THE MOBILE GUIDE TO SUPPORT VISITORS WITH DISABILITIES AS THEY ENGAGED WITH WHITNEY EXHIBITIONS, DURING FY22 401 PEOPLE ATTENDED AN ACCESS TOUR, AND A TOTAL OF 1,019 STUDENTS WITH DISABILITIES, FROM 19 DIFFERENT SCHOOLS, PARTICIPATED IN EITHER AN IN-PERSON GUIDED VISIT OR ONLINE LESSON.IN FY22 6,971 PEOPLE ATTENDED ARTMAKING WORKSHOPS, TOURS, AND COMMUNITY PROGRAMS. COMMUNITY PROGRAMS AT THE WHITNEY SERVED AS A FOCAL POINT FOR EXPLORATION, DIALOGUE, AND SELF-EXPRESSION FOR THE MUSEUM'S DIVERSE NEIGHBORS WITH A DESIRE TO CONNECT TO ART. COMMUNITY PROGRAMS DEVELOPED INDIVIDUALIZED EXTENDED PROGRAMS DESIGNED TO MEET THE SPECIFIC AND DIVERSE NEEDS OF OUR 14 DIFFERENT PARTNER ORGANIZATIONS AND TO PROVIDE EDUCATIONAL AND CULTURAL OPPORTUNITIES FOR UNDERSERVED AUDIENCES OF ALL AGES.PUBLIC PROGRAMS AND PUBLIC ENGAGEMENT PRESENTED PROVOCATIVE AND EXPERIMENTAL EVENTS THAT ENGAGE AUDIENCES IN CRITICAL DIALOGUES ON ART AND CULTURAL PRODUCTION. THE DIVISION PRESENTED 23 PROGRAMS AND 4 COURSES TO 25,978 VISITORS; RECORDINGS OF THESE PROGRAMS HAVE BEEN VIEWED APPROXIMATELY 37,730 TIMES AS OF JUNE 30, 2022. HIGHLIGHTS INCLUDED CONVERSATIONS, SYMPOSIA, READINGS, WORKSHOPS, AND SCREENINGS IN CONJUNCTION WITH DAWOUD BEY: AN AMERICAN PROJECT, DAVE MCKENZIE: THE STORY I TELL MYSELF, JULIE MEHRETU, JASPER JOHNS: MIND/MIRROR, MY BARBARIAN, JENNIFER PACKER: THE EYE IS NOT SATISFIED WITH SEEING, MAKING KNOWING, AND WHITNEY BIENNIAL 2022: QUIET AS IT'S KEPT.THROUGHOUT THE YEAR, THE PUBLIC PROGRAMS MAILING LIST CONTINUED TO GROW, ADDING NEARLY 5,000 NEW SUBSCRIBERS FOR A TOTAL OF APPROXIMATELY 26,000 INDIVIDUALS, AND THE MUSEUM BEGAN TO COLLECT FEEDBACK FROM PROGRAM ATTENDEES THROUGH SHORT SURVEYS AFTER PROGRAMS. IN JULY 2021, PROGRAMS WERE DEVELOPED TO BE IN A HYBRID FORMAT, ENABLING SPEAKERS AND AUDIENCES TO PARTICIPATE IN-PERSON OR VIRTUALLY, AS WELL AS CREATING OPPORTUNITIES TO DEEPEN THE ACCESSIBILITY OF THESE EVENTS. TWO EARLY HYBRID PROGRAMS WERE BLACK/QUEER/ABSTRACT: A CONVENING ON THE OCCASION OF JULIE MEHRETU AND THE FILMS OF ANDY WARHOL; THE ANNUAL WALTER ANNENBERG LECTURE FEATURING DAWOUD BEY WAS ALSO PRODUCED IN A HYBRID FORMAT. PUBLIC PROGRAMS FOCUSED ON MAKING EVENTS MORE ACCESSIBLE, ALL EVENTS WERE OFFERED WITH CLOSED CAPTIONING AND ASL INTERPRETATION WHEN REQUESTED, AS WELL AS LIVE SPANISH TRANSLATION.FAMILY PROGRAMS HAD 43 IN PERSON AND ONLINE ART CLUBS AND WORKSHOP STUDIOS SERVING A TOTAL OF 9,901 PEOPLE IN PERSON (BETWEEN KIDS AND ADULTS). ONE SUCH INITIATIVE WAS WHITNEY KIDS ART CHALLENGE, DESIGNED FOR KIDS AND ADULTS TO DO TOGETHER WITH MATERIALS EASILY FOUND IN THE HOME BASED ON WORKS IN THE WHITNEY'S PERMANENT COLLECTION. THE FAMILY PROGRAMS TEAM LEAD ONE OF THE LARGEST FAMILY EVENTS HOSTED AT THE MUSEUM: PRIDE ON THE WHITNEY LAWN, WHICH FEATURED LIVE READINGS FROM LGBTQ+ POETS HOSTED BY CHAVISA WOODS, AND INTERGENERATIONAL POETRY WORKSHOPS LED BY REGIE CABICO, AND FAMILY-FRIENDLY ACTIVITIES, INCLUDING HANDS-ON ARTMAKING, PERFORMANCES, PHOTO BOOTHS, GIVEAWAYS, THIS EVENT HAD MORE THAN 5,000 ATTENDEES. FOR MORE INFORMATION ABOUT WHITNEY EDUCATION, PLEASE VISIT WHITNEY.ORG/EDUCATION.


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Outside Vendors & Contractors

Vendor Name (Service)Compensation
Temporary Walls Inc
Construction
$544,000
Monticello Associates
Investment Advisory Counsultant
$340,000
Kauff Mcguire & Margolis Llp
Legal Services
$305,709
Masterpiece International
Art Moving Services
$305,413
Ahern Holtzman Inc
Construction
$305,408
View All Vendors

Financial Statements

Statement of Revenue
Federated campaigns$0
Membership dues$7,972,000
Fundraising events$4,998,000
Related organizations$0
Government grants $14,636,000
All other contributions, gifts, grants, and similar amounts not included above$38,576,000
Noncash contributions included in lines 1a–1f $4,540,000
Total Revenue from Contributions, Gifts, Grants & Similar$66,182,000
Total Program Service Revenue$8,041,000
Investment income $1,627,000
Tax Exempt Bond Proceeds $0
Royalties $305,400
Net Rental Income $4,242,000
Net Gain/Loss on Asset Sales $30,140,000
Net Income from Fundraising Events -$894,000
Net Income from Gaming Activities $0
Net Income from Sales of Inventory $177,600
Miscellaneous Revenue$0
Total Revenue $110,055,900

Peer Organizations

Organization NameAssets
The Metropolitan Museum Of Art
New York, NY
$761,527,826
Museum Of Modern Art
New York, NY
$265,321,760
Museum Of Fine Arts
Boston, MA
$137,057,905
Whitney Museum Of American Art
New York, NY
$110,055,900
Philadelphia Museum Of Art
Philadelphia, PA
$87,709,075
Solomon R Guggenheim Foundation
New York, NY
$75,933,810
Brooklyn Institute Of Arts And Sciences
Brooklyn, NY
$88,940,575
Sterling & Francine Clark Art Inst
Williamstown, MA
$10,724,599
Buffalo Fine Arts Academy
Buffalo, NY
$19,629,613
Barnes Foundation
Philadelphia, PA
$34,787,671
Frick Collection
New York, NY
$67,471,378
Isabella Stewart Gardner Museum Inc
Boston, MA
$30,352,820
New Museum Of Contemporary Art
New York, NY
$22,785,608
Neue Galerie New York
New York, NY
$14,693,129
Wadsworth Atheneum Museum Of Art
Hartford, CT
$10,944,489
Doris Duke Foundation For Islamic Art
New York, NY
$17,225,453
Institute Of Contemporary Art
Boston, MA
$26,427,567
Museum Of Arts And Design
New York, NY
$12,286,366
International Center Of Photography
New York, NY
$11,859,344
Worcester Art Museum
Worcester, MA
$15,255,766
Ps1 Contemporary Art Center Inc
Long Island City, NY
$9,702,873
Isamu Noguchi Foundation And Garden Museum
Long Island City, NY
$11,920,545
Storm King Art Center
New Windsor, NY
$8,437,388
Frick Art & Historical Center Inc
Pittsburgh, PA
$10,931,044
Poster House Inc
New York, NY
$8,842,575

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